It began with John Coltrane’s funeral on 21 July 1967, featuring music from drummer Milford Graves, trumpeter Donald Ayler and saxophonists Ornette Coleman and Albert Ayler, then mused on the mysterious death of the latter before opening up to focus on Graves’ extraordinary life and his coruscating series of duets with saxophonist David Murray.
Born 20 August 1941 in South Jamaica, Queens, New York, Milford Graves was a ‘drummer’, but, equally importantly, a truly evolved human, a strict vegetarian, herbologist, acupuncturist and trained martial artist. He was famous locally for his backyard dojo and basement laboratory.
He began his career playing bongos and timbales, including the formation of a short-lived Latin-jazz band with a very young Chick Corea. At the urging of superstar percussionist Don Alias, he moved over to the drum kit in 1963 and found his true metier.
Alongside Sunny Murray, Andrew Cyrille, Ronald Shannon Jackson and a few others, he freed the drummer from the role of timekeeper, introducing new melodic and tonal textures for the kit. But this wasn’t a po-faced, technical endeavour – it led to some of the most intense, high-volume work of the last 50 years. He described each of his limbs as playing ‘a different feeling’ (see below).
Legendary jazz writer Nat Hentoff apparently made a prediction in the late 1960s that the greats of the avant-garde jazz movement would eventually get lecturing jobs in universities, such was the importance and rigour of their conceptual flow.
It was true. Since 1973, Graves had been teaching at Bennington College in Vermont, a variety of courses including those touching on the healing aspect of music.
He also performed regularly across the world, including at a school for autistic children in Japan. From the late 1960s on, he eschewed nightclub and club gigs, restricting his live performances to festivals, community centres and outdoor shows.
He recorded astonishing duets with pianist Don Pullen, Andrew Cyrille (Dialogue Of The Drums) and David Murray on the classic 1991 album The Real Deal. He worked with Albert Ayler on various albums including Love Cry.
Tragically, though he had studied the heartbeat as a source of rhythm since the 1970s, Milford died of congestive heart failure on 12 February. ‘It turns out, I was studying the heart to prepare for treating myself,’ he told The New York Times last year.
Last autumn, his life and work had just been subject to a residency at the ICA in Philadelphia, including a screening of ‘Speaking Of Tongues’ and a wide-ranging interview with Jason Moran.
Farewell to a true one-off. Art Blakey once said that jazz was about washing away the dust of everyday life. Milford Graves did just that.
Milford Graves (20 August 1941 – 12 February 2021)
Further reading: ‘As Serious As Your Life’ by Val Wilmer