Allan Holdsworth and Wayne Shorter: two of my all-time favourite musicians who, on the face of it, don’t seem to have much in common.
But on further inspection, maybe they do – independence, innovation, integrity. Also neither were much given to making guest appearances on other artists’ albums, at least in the second half of their careers.
So it was somewhat of a surprise to recently unearth a track which featured both of them (though it is doubtful they were actually in the studio at the same time).
What a major coup for Italian drummer Andrea Marcelli. Not much is known about him apart from the fact that he made two albums for Verve/Forecast in 1989 and 1990, gathering a formidable lineup of players including Alex Acuna, John Patitucci, Mitch Forman, Bob Berg and Mike Stern.
‘Final Project’ featured on his 1990 Silent Will album and showcased a fine composition and brilliant Holdsworth solo – one of his greatest – over intriguing chord changes (Allan fans will hear lots of tones familiar from his Secrets album). Shorter’s contribution is perhaps a little less impressive; he sounds shrill and rushed at times, but still manages to surprise. It’s fascinating to hear these two giants sharing album space.
This was a bit of a golden period for electric jazz/fusion/whatever. There was seemingly a resurgence of Italian fusion in the late ’80s and early 1990s. Another minor classic and teenage favourite was Roberto Gatto’s ‘Ask’, featuring John Scofield, very much in the slipstream of Miles’s ‘Tutu’ and Sco’s ‘High And Mighty’. Gatto is another Italian drummer apparently residing in the ‘where are they now’ file… Or is he?
Good finds. Really like that Scofield track especially.
Wondered why you thought Wayne and Allan weren’t in studio together. Sounds like they are to me?
I think because of the way it’s mixed and recorded. Allan and Wayne solo ‘together’ towards the end but there isn’t really any interaction. Also Allan apparently very rarely ‘kept’ a solo that he played ‘live’ with the band in the studio – he pretty much always overdubbed another solo at a later date, and it sounds like they both do that here.
Also worthy of note, IMHO: there is another album track featuring both Allan and Wayne, called “Love Remembered” (which I cannot find on YouTube, regrettably). It starts off as an all-acoustic track, and Allan’s solo begins very late into the track (at 6 mins. or so), right after the last measure of Wayne’s solo. Interestingly, Wayne can be heard “comping” using sustained notes behind Allan’s playing, although the guitar solo is probably an overdub, as you’ve already mentioned.
Thanks Kai, I have got to hear that. Will be seeking out a copy of the album now, though fear it is probably pretty hard to find.